Charlotte Pop Fest 2008 Price: $15.00 Artist: Various Artists Description: Congrats to festival organizer/artist James Deem!  July 4 & 5, 2008 marked the first Charlotte Pop Fest!  Early reports are that it was a rousing success - enough so that looks like it will happen again in 2009!  The festival featured many artists... ... read more » Quantity in Basket: none

Come Join My Orchestra: The British Baroque Pop Sound 1967-1973 Price: $26.00 Artist: Various Artists Description: RELEASED ON NOVEMBER 30. TO GUARANTEE DELIVERY, ALL ORDERS MUST BE PLACED BY NO LATER THAN NOVEMBER 22. AFTER NOVEMBER 22, THIS BECOMES A SPECIAL ORDER TITLE WITH NO GUARANTEE OF IMMEDIATE AVAILABILITY OR PRICE. When Paul McCartney, who arguably kick-started the whole baroque pop genre when he recorded the likes of “Yesterday” and “Eleanor Rigby” with pivotal strings arrangements, made his oft-quoted remark that pop was the classical music of the 20th Century, perhaps he meant it in a more literal sense than anyone realized at the time. In the immediate wake of ground-breaking albums like “Rubber Soul”, “Revolver” and “Pet Sounds”, the British and American music scenes became increasingly ambitious and cerebral. As the major recording studios becoming ever more sophisticated, a new generation of musicians and producers sought to emulate the backroom auteur status of Brian Wilson or the symbiotic relationship between George Martin and The Beatles. A new, more melancholic strain was introduced into British pop: expansive orchestral arrangements merged with the burgeoning psychedelic mind-set to create such studio-bound masterpieces as “Days Of Future Passed” and “Sgt Pepper”, with harpsichords, oboes, flutes, recorders and French horns providing a moody, introverted chamber pop flourish. Wilson and The Left Banke led the way in the US, but Britain was also awash with acts mining the baroque pop seam. Honeybus, The Zombies, Donovan, Nirvana and many others made significant recordings in that field, fusing mournful minor chord melodies with fey vocals, ornate arrangements and what had previously been considered non-rock instrumentation. “Come Join My Orchestra” covers British baroque pop’s formative years and its integration into a wide variety of genres, ranging from Johnny McEvoy’s exquisitely sculpted take on traditional pop balladry and a clutch of dyed-in-the-wool folkies (Ian Campbell, Bert Jansch etc) to McCartney acolytes (Fickle Pickle, Mike Batt, the Gerry Rafferty-led Humblebums) and symphonic/art rock bands like Procol Harum and Barclay James Harvest. With a lavish 40-page booklet, many recordings making their first appearance on CD and two tracks (by The Regime and The Mellow Yellow) gaining their first-ever release, this 3CD collection is a fascinating overview of what was a major development in late 60’s pop music, and one that reverberates to this day. GREAT!! ... read more » Quantity in Basket: none

Look At The Sun Price: $18.00 Artist: Various Artists Description: SOLD OUT!! Another stellar 22-track collection of rare BBC session tracks along with a significant proportion of acetates - all previously unreleased - recorded by some of the decade’s most obscure happening groups. Genuine hardcore unreleased British psych is a rare beast indeed these days but Top Sounds believe they have found some with two late 1967 tracks by Louise, who played clubs such as Happening 44 and were most definitely the real deal as far as British psychedelia was concerned. Psych pop heroes Kaleidoscope return with a newly discovered and much improved BBC version of "Faintly Blowing" from 1967, together with a thought lost performance from the same session of "The Murder Of Lewis Tollani". Portsmouth psychsters Coconut Mushroom offer excellent fuzzy pop in ‘Without You’, then crank up the volume with a sledgehammer version of the Who’s ‘Call Me Lightning’. Top of many fans wants lists are new tracks by the Fleur de Lys and unbelievably a cracking version of Albert King’s "Cross Cut Saw" from a ’67 BBC session has been found for Look At The Sun. Rare BBC performances by Elmer Gantry's Velvet Opera have also been located and two of the best tracks from Wooden Hill’s Onyx CD make an appearance here. Infamous for their classic "Does It Really Matter" and the fact that no-one had a clue who they were, the Glass Opening feature with not only that great B’side but also three other corkers cut onto acetates during 1968. Graded Grains reappear with an excellent take on Spooky Tooth's "Better By You, Better Than Me", nestling closely to Andy Scott blasting out heavy prog pop riffs with the Elastic Band on a previously unknown version of "Uptown, Downtown" And there are two BBC performances by the venerable T2, one of which incredibly is an audio recording of their only television appearance! Plus more makes this an absolute must for fans of this kind of stuff! We sure are! GREAT!!! ... read more » Quantity in Basket: none

Lowe Profile: A Tribute To Nick Lowe Price: $20.00 Artist: Various Artists Description: In 2005, Walter Clevenger rounded up a slew of fine artists to pay tribute to the guy who has had such a huge influence on his music - and one of our ALL-TIME FAVORITE ARTISTS! . The 2CD features contributions from Walter himself, Ian Gomm, Dave Alvin, Duane Jarvis, Foster and Lloyd, Steve Allen (20/20), Ron Flynt (20/20), Don Dixon, Jamie Hoover, The Muffs, Tiffany Anastasia Lowe, Terry Anderson, Robbie Rist, Eric Ambel, Steve Wynn, Eugene Edwards, Sparkle*jets UK, The Glimmer Stars, The Brilliant Mistakes + more! Walter's band (the Dairy Kings) helps out by playing "house band" and recording the music for several of the artists on the tribute. most of the artists on Lowe Profile are roots rockers and pop mavens who obviously know and love Lowe's music, but also bring their own flavors to the performances, and along the way testify to the diversity of his material. "The other widely available tribute to the music of Nick Lowe, 'Labour of Love', counted Elvis Costello, Tom Petty, and Dar Williams among its contributors. The hitters on 'Lowe Profile' - a set covering, in the words of executive producer Clevenger, 'rock, pop, blues, country, and soul - and that's just the first five songs on disc one!'- aren't quite as heavy. But that's a plus, not a minus, as it allows the diversity of Lowe's songwriting to take center stage. Each of his periods is represented by a standout track. His Brinsley Schwarz bandmate Ian Gomm, who cowrote 'Cruel to Be Kind,' turns in a heartfelt version of the song accented by some delicious George Harrison-esque slide guitar, and Foster & Lloyd reunite after 15 years to put a smooth country spin on the Rockpile-era 'Without Love.' Other highlights include Greg Trooper's soulful, Wurlitzer-tinged take on 'What's Shaking on the Hill' (the centerpiece of 1990's 'Party of One') and a rockabilly reimagining by James Intveld of 'Dig My Mood''s 'Lonesome Reverie.'" - Benjamin Lukoff This isn't a bunch of slapped-together covers, but a heartfelt tribute to a musician whose talent and attitude has made a real impact among people who love music, and one of the best tributes we've ever heard! GREAT!!!!!!!!!!! ... read more » Quantity in Basket: none

Sing Me A Rainbow: A Trident Anthology 1965-1967 Price: $28.00 Artist: Various Artists Description: In the mid-'60s, Trident Productions, run by Kingston Trio manager Frank Werber, recorded quite a bit of San Francisco Bay Area rock, usually but not always leaning to the folk-rock side. Though they had a big hit right away with the We Five's 1965 smash ... read more » Quantity in Basket: none

3 X 4: The Bangles, The Three O’Clock, The Dream Syndicate, Rain Parade Price: $15.00 Artist: Various Artists Description: Previously a Black Friday 2018 Record Store Day release, this is a very kool reord that features brand new recordings from four of the core “Paisley Underground” scene’s most notorious bands (The Bangles, The Three O’Clock, The Dream Syndicate, and Rain Parade), each covering the songs of the others — 3 (songs) x 4 (bands) = 12 songs. In 2013, the four bands got back together to share the bill at L.A.’s Fonda Theatre for a charity concert. The show went so well and everybody had so much fun that Danny Benair (The Three O’Clock), Steve Wynn (Dream Syndicate), and Vicki Peterson (The Bangles) started talking about doing some type of album to celebrate their Paisley Underground beginnings. “The Three O’Clock opens with a splendid version of ‘Getting Out of Hand’ that has Michael Quercio in fine voice. The version of ‘Jet Fighter’ by The Bangles is picture perfect, startlingly close to the original. I am struck by how much the vocals sound like Michael. Some people may like completely different interpretations, but sticking to the original structure works so well here. ‘You Are My Friend’ is done up in proper fashion by The Dream Syndicate, evoking all the real heart-rending pathos of the original. I have always loved this song myself, and Ran Parade’s ‘Emergency Third Rail Power Trip’ remains as one of my all time favorite albums to this day. And man, The Bangles really nail their version of ‘That’s What You Always Say’, it has all the droning, feedback drenched passages and some powerful vocals to boot! ‘As Real As Real’ is a lovely interpretation by Rain Parade, turning an already pretty tune into a psych pop masterpiece. I love the instrumental flourishes which add much to the mix, and its chiming wonder recalls vintage Rain Parade as well. The Three O’Clock reimagine ‘Tell Me When It’s Over’ as baroque pop with keyboard washes. Rain Parade mashes up acoustic and electric work in ‘When You Smile’ and add two Bangles (the Peterson sisters) on backing vocals. I really like this gentle approach to an ass kickin’ tune. Susanna Hoffs has lost none of her talent, her voice is as sweet as ever and she can sure hit the high notes in her band’s faithful cover of ‘Talking In My Sleep.’ The Dream Syndicate nearly kick out the jams on the lively ‘Hero Takes a Fall’, and Vicki Peterson lends backing vocals along with Linda Pitmon. ‘Real World’ as done by Rain Parade is wonderful, and The Three O’Clock pay proper homage to Rain Parade on ‘What She’s Done To Your Mind’, and Susanna lends her voice to harmony vocals. The album’s finale is courtesy of The Dream Syndicate’s rip roarin’ cover of ‘She Turns to Flowers’. In summary, this is a very fine collection of covers that all fans of The Paisley Underground/Rainy Day scene will love.” – BigTakeover.com GREAT!! ... read more » Quantity in Basket: none

All Those Times We Spent Together: A Tribute To The Television Personalities Vol. 3 + bonus disc Price: $14.00 Artist: Various Artists Description: The Beautiful Music has committed itself to releasing ten Television Personalities tribute albums over the next few years. It is an idea that is both bonkers and admirable, as if the label is trying to make up for all the praise and recognition that the band has sadly missed out on over its 30 plus year existence. "After the Years’ offers up a spiky version of ‘This Angry Silence’, Anorak Girl take a kitschy electro pop approach to ‘Smashing Time’ that sort of sounds like a solo effort from the girls from the Human League, which is great, and seems to suit the song. Blue Petal’s arrangement of ‘A Good and Faithful Servant’ is fairly faithful to the original, slowing it down and giving it a swinging, waltzy beat, but capturing the sentiment of the song nicely. A Smile And A Ribbon’s take on ‘Magnificent Dreams’ sounds a bit Electrelane-like, and has a nice innocent, childish vibe to it. Sarandon take ‘And Don’t the Kids Just Love It’ and sharpen up the 60's garage rock influence within it, making it more overt. The Painted Word unsurprisingly takes ‘The Painted Word’ and adds a breakbeat to it, which, with the Beatles-ish backwards guitar and tambourine, makes it sound a bit like an early Britpop song. Amica’s loose, de-anglified version of ‘In a Perfumed Garden’ reminds me a little of Pavement, and therefore gets two thumbs up. Armstrong’s nice harmonies and simple, arrangement of ‘This Heart’s Not Made of Stone’ is another highlight; different enough from the original to stand up on its own, but keeping the sentiment of the original. Cineplexx gives ‘I Hope You Have a Nice Day’ a sort of lo fi Phil Spector treatment, while Apple Orchard strips away the 80's jangle of ‘The Dream Inspires’ and replaces it with Sloan-meets-Belle and Sebastian indie pop. La Grande Illusion Gainsbourg-ifies ‘Glittering Prizes’ and is surprisingly good. The alt-rock version of ‘The Man Who Paints the Rainbows’, supplied by Bunnygrunt, is another good one; it’s a natural adaptation that is different but doesn’t feel forced. Versions of ‘This Angry Silence’ book-end the compilation, with Boyracer’s closing take making it sound very Buzzcocks-like." - PennyBlackMusic.co.uk "Common to all of these songs is that hardly anyone knows them . Never mind. I assure you, the music is worth it. Dan Treacy is a great songwriter, tells the wonderfully true, sad, melancholic, incredible, off-beat, happy, dreamy stories and provides the right chords. Each band, each artist, brings his own vision and interpretation. It is always exciting and worth hearing . Nice thing !" - Twang-tone.de Jeremy Gluck (Barracudas) also covers "King and Country"! COMES WITH A 23-TRACK BONUS DISC OF EVEN MORE TVP COVERS!! EXCELLENT!!! ... read more » Quantity in Basket: none

Le Beat Bespoke 8 Price: $17.00 Artist: Various Artists Description: Rob Bailey (a/k/a Dr. Robert) has an intense passion for discovering long-forgotten 60’s club sounds and giving them a new lease of life via his DJ sets and this compilation series. “Volume 8” of the brilliant “Le Beat Bespoke” series features fuzz-filled, unreleased master tapes, acetates, remixes and obscure 45’s that you may have heard, danced or gone wild to at The Mousetrap, where the cool and curious gather for hipshakin’ fun. All tracks on this album, in fact, the whole series have one thing in common which is the dance floor firmly in mind. Like its predecessors, “Le Beat Bespoke 8” has been restored and mastered to the highest standard and sequences like a fast moving DJ set. Original artwork by Pip! Pip! and presented in a full color 8-page booklet containing artist info, bespoke images, and track commentaries. Is this collection the best one yet? Maybe, but we’ll let you be the judge of that! Track list: The Remaining Few (“Painted Air”/Dr Robert mix), The Seeds (“Just Let Go” – unissued 1966 recording), “Neal Ford & The Fanatics (“Seasons”), Jude (“I Want You Sherry”), The 7th Seal (“People Grow On You”), Sean Bonniwell (“Down To The Sky”), The Estes Bros. (“Tomorrow’s Sunlight”), B.G. System (“Please”), Sound Vendor (“Mister Sun”), Oedipus & The Mothers (“(I Remember) How It Used To Be”), The Winging Machine (“Do You Have To Ask”), Lenny Roberts (“Searchin’”), Dean Carter (“Love’s A Workin’”), Gents Inc. (“Getting The Blues”), Abdullah’s Regime (“Sally I Do”), The Difference (“Outside”), The Sweet Feeling (“Ask Me If I’m Ready”), The Lost Soul (“Secret Of Mine”, Johnny And The Copycats (“The Pain Of Love”), and Tony & Terri (“I Want You”). ACE!! GREAT!!! ... read more » Quantity in Basket: none

Poppies – Assorted Finery From The First Psychedelic Age Price: $15.00 Artist: Various Artists Description: Very kool 2019 compilation that showcases the breadth of music touched by psychedelia in the late 60’s whether it be pop, folk or rock. This eclectic mix of psychedelic masters is drawn from the Vanguard, Original Sound and Stax catalogs, offering tracks from cult-classic artists such as Buffy Sainte-Marie, Southwest F.O.B., the Serpent Power, Jefferson Lee, The Frost, The Sot Weed Factor, The Honey Jug, The Pasternak Progress, Chapter VI, Erik, and Circus Maximus. The collection includes the previously unreleased song "When Will You Happen to Me" by The Human Jungle, as well as many other rarities in their mono incarnations. “Showcases the diversity of influences that permeated psychedelic rock during the 1960s, including rock, pop and folk. Per the album notes, ‘it’s precisely because of the shape-shifting, amoeba-like parameters to which the genre pushes out, that psychedelic music requires an open mind.’ This release kicks off a series exploring the rich variety of music that comprises the revolutionary sound of the 60’s, from garage rock to sunshine pop, and more.” – UDiscoverMusic.com “Offers a great introduction to some of the more obscure and non-traditional psychedelic music of the late 1960s with some brilliant tracks that could well lead you down new paths of discovery.” – PopMatters.com “The songs here range from the unfortunately unsung to the remarkably obscure, and Alec Paleo's liner notes offers as much useful information as is available about each act here. If you thought there were no new worlds left to explore in 60’s psychedelia, ‘Poppies won't entirely turn your head around, but it will give you 40 minutes of great listening with a few bits along the way you probably haven't heard before - and certainly not sounding and looking this good. GREAT!! ... read more » Quantity in Basket: none

Big Stir Singles: The Second Wave Price: $12.00 Artist: Various Artists Description: “Big Stir Singles: The Second Wave” continues Big Stir Records' ongoing CD collections of the A-sides and B-sides from the label's weekly Digital Singles Series. Featuring twelve pairs of tunes from the global pop scene (with the US, UK, and Sweden represented this time around) and liner notes from John Borack, the second compilation easily lives up to “The First Wave” and is perhaps the best distillation yet of the “Big Stir Sound”. As with the first collection, “The Second Wave” is anything but a garden variety “label sampler”. Rather, these are artists from across the broader global pop scene literally bringing their A (and B) game with top flight offerings which have already received ample airplay and glowing reviews as they've been issued in the course of the series. It's once again a diary of several months in the life of the guitar-pop zeitgeist, covering January through April of 2019 and showcasing a bumper crop of brand-new and often exclusive tracks. Opening with the characteristic sparkling jangle of Canterbury's Spygenius, diving straight into the impassioned working man's rock of Joe Normal & The Anytown’rs and the Gene Clark-esque electric folk pop of Armoires bassist Clifford Ulrich , this new set plays like an alternate version of a Sunset Strip gig circa 1967 or a lost playlist from the heyday of '80s college rock. The soaring “Don't Need, Don't Care” from Sweden's In Deed, the keenly awaited debut of the multinational super-girl-group The Kariannes, and Christina's Motown-flavored showcase on The Armoires’ “(How Did You Make) A Mistake Like Me” reaffirm BSR's affinity for the undersung female heroes of power pop. Psychedelia informs the excellent offerings from Oxford's Charms Against The Evil Eye, and Anton Barbeau (appearing here with obscuritanist aplomb under the guises of both Kenny and Giacomo & Carolina. Mainstays of the LA guitar-pop scene The Ex Teens and The Living Dolls bring some serious glam vibes to the party while The Popdudes (here featuring Singles Series vets Michael Simmons and Addison Love and his father Tim) demonstrate what “retro-rock” really should be, and BSR's newest signings Amoeba Teen lay into the Jam-like lead single from their new record as well as an exclusive B-side companion piece that's as essential as anything here. The B-sides are in fact, as always, part of the charm: where else would Barbeau offer up a synth-dub ode to his cat, or The Armoires deploy a Meat-Loaf-via-X duet, or Ulrich deliver an honest-to-God hymn with Byrdsy grace? It takes two sides to show off what these bands can do, as in The Kariannes’ ace cover of Let’s Active’s “Every Word Means No”, or The Living Dolls’ Ray Davies-inspired shuffle “Happy Manors” as a counter to their hard rocking lead track. Spygenius get funky on the monstrous exclusive “Let Me In”, Tim Love’s vocal on Roy Orbison’s “Dream Baby” is uncannily moving, and Charm’s “Oscar” captures the eerie drive of Barrett-era Pink Floyd while Joe Normal meshes New Wave with Springsteen to rousing effect. In short, these are no castoffs or failed experiments... the B's are a quirky treasure trove in their own right. EXCELLENT!! ... read more » Quantity in Basket: none