Coming Up From The Streets Price: $13.00 Artist: Atomic Manufacturer: Dandyland Records Description: LIMITED STOCK! Hailing from Furth in the Bavarian Forest (an area not known for its thriving indie scene), twins Thomas and Rainer Marschel always focused on the dream to start a band of their own. In 2000 they founded Atomic and had worked tirelessly since their D.I.Y roots to get to their at-the-time present-day status. While following the path of the band’s heroes like Oasis or Mando Diao, they haven’t followed a musical blueprint but have instead developed a unique style - mixing Power Pop, Beat, 60’s and Mod sounds. “Coming Up From The Streets” is the very cool, 2008 sophomore release from these Brit Pop-inspired German guitar rockers who make no secret of their love of Oasis! But they can get a little jangly at times too and even through some synths into the mix just to change things up a bit. "They wear their love for Oasis close to their heart like a button, but their real excellence lies in writing ballads: slight psychedelia with black sunglasses, like it’s usually being played outside Britain!”- Rolling Stone "Strings eleven highly charged and emotionally intense cuts together. From the outright rockstomper 'Magic Daydream', to the symphonic (and very Oasis-like) 'Something Wonderful' all the way to the groovy 'I'm A Man', the album oozes the urge to be heard and loved!" - 666ccc EXCELLENT!! ... read more » Quantity in Basket: none

The Unquiet and Apart Price: $10.00 Artist: Ben Patton Manufacturer: self-released Description: A 2008 solo outing from one half of Muller and Patton. "He's a really cool artist who unfortunately has not received any special attention. He has a certain charm about him. Possessed of a musical palette that sounds like the lyrical leavings from a Fountains of Wayne rummage sale mixed with Dan Jones-style rootsy, jangly and slightly crunchy, garage pop. The record seems largely like a collection of singles for radio during the era when it played three minute hits. Clearly worth checking out if you like modern garage power-pop!" - Max Humphries "On this, he is a straight-ahead power pop singer/songwriter, reminding me quite a bit of Saul Zonana and Michael Penn in his less obscure moments. 'Nothing to Declare' is the highlight here, a peppy number that will have your toes tapping, and one recurring theme in the disc is his apparent disappointment in today's teenagers as heard in 'I'm Afraid of Young People' and 'Fairview County Kids'. Judging from the photos at his site, Patton doesn't appear to be much more than 30, so it's not a case of an old guy yelling 'get off my lawn'. Anyway, there's some good listening to be had here." - Absolutepowerpop EXCELLENT!! ... read more » Quantity in Basket: none

Agent Of Chaos Price: $15.00 Artist: Brad Marino Manufacturer: Spaghetty Town Records Description: “Agent Of Chaos” is Brad Martino’s fifth solo outing! “Given that it has been nearly two-and-half years since ‘Grin and Bear It’ came out, fans have certainly been waiting a while for a new Brad Marino record. And ‘Agent of Chaos’ has turned out to be every bit worth the wait. It's hard to find a sub-par or even less-than-stellar track in the bunch. This record will disappoint absolutely no one. If you're looking for a Brad Marino album that sounds like a Brad Marino album, this will hit the mark and then some. There's really nobody better at doing this sort of driving rock 'n' roll with a punk influence and pop hooks. Marino, backed by Gene Champagne, Bobby Davis, Zack Sprague, Ron Mullens, Dave Strong, James Cap Nunn, and Caity Marino, has delivered an album that may very well be his best yet. As always, his choruses are catchy, his guitar licks are tasty, and his lyrics are sneaky clever. Agent of Chaos comes through with a little something for everyone. From the classic ‘60’s pop of ‘Dissin' and Dismissin'’ to the straight Ramones energy of ‘Sick Of You’ to the country vibes of ‘Devil May Care’ to the timeless rock 'n' roll of ‘I Don't Want You Anymore’ to the Jesus and Mary Chain inspired dark-pop of ‘Murder and Violence’ to the straight-forward power pop of ‘Voodoo’ to the butt-kicking fury of ‘Calling Your Bluff’ to the pure pop majesty of ‘Lost Without You’ and ‘Make This Last,’ Marino hits all the sweet spots. The man sure can write a song, and he can always be counted on to sing and perform it with gusto. Flavors of the month come and go, but tried-and-true, high-quality rock 'n' roll never goes out of style. ‘Agent Of Chaos’ is a monster of a record, and I can name three premier record labels that are literally vouching for that!”- FasterandLouder GBEAT!! ... read more » Quantity in Basket: none

The Weight Of Early Promise Price: $15.00 Artist: Calk Everett Manufacturer: self-released Description: Cal Everett is a singer songwriter, recording artist and performer, most notably with 4 out of 5 Doctors in the 80's. “The Weight of Early Promise” is his latest and, in his words, best album ever. This, his first truly solo record took over 40 years to write, 10 years to record, and the result is a beautifully crafted pop concept album that candidly explores his life, relationships, and his love of music. “A 22-song collection of personal journey, struggles, sadness, and in the end, love, hope and bliss. It is 55 minutes of the purest music you’ve heard in years. Of course you can listen to the songs as singles because each one sparkles in its own space - but first spend an hour with one of our best songwriters, it is time well spent. a beautifully sung song cycle that should be listened to one setting, hr bares his heart as we go on a journey with him through the years, the ups, downs and triumph of love and family. The opening cut “Older Now” paints the picture of where he resides in this moment continuing his signature style of blending upbeat, "hummable" pop melodies with introspective, and sometimes melancholy lyrics.” - LouDounNow “’Gimme Some Time’ is the song Billy Joel wishes he’d written, with an amazing layered call-and-response rhythm; similarly, ‘Love’s Hollow Promise’ is a piano ballad loaded with emotional longing. The style of ‘Old Enough’ recalls Andrew Gold at his best, with a hook-loaded chorus and genuine sentiment. Cal also manages to get some 80’s-styled pop akin to his old band on the synth of ‘Communication.’ There are a TON of great tracks here, and no filler. My favorites include ‘Teenager’s Belief,’ ‘More To Love,’ ‘Never Change My Mind,’ ‘Compromises’ and the secret track at the end of ‘Epilogue.’ Definitely makes my top-ten list for 2026. Super highly recommended.” - Powerpopaholic GREAT!! ... read more » Quantity in Basket: none

Modernism Price: $16.00 Artist: Chris Stamey Manufacturer: Flatiron Records Description: 6/19 RELEASE “Modernism” is the latest collection from Chris Stamey. Conceived as a companion piece to 2025’s lauded “Anything Is Possible”, the album is a further “love letter” to the kaleidoscopic variety of music heard on AM and free-form FM radio in the 60’s and early 70’s, and features many of his favorite songs from that era. The title is a wink and a nod to the fact that it was made primarily at Modern Recording (Chapel Hill, NC). It features new versions of classic songs such as the Beatles’ “Hey Bulldog” (with Big Star’s Jody Stephens on drums), the Kinks’ “Waterloo Sunset” (with the dB’s), and Sly and the Family Stone’s “Thank You (Falettinme Be Mice Elf Agin)” (featuring the Uptown Horns, Brian Dennis [DAG], and Jon Wurster [Mountain Goats, Superchunk]). Deep cuts are also in evidence, including “Shadows Breaking Over My Head” by the Left Banke (with Brian Wilson Band alum Probyn Gregory), “Hernando’s Hideaway” (from “The Pajama Game”, and a 1954 hit for Everly Bros. producer Archie Bleyer), “At Last” (by Harry Warren), as well as three new interpretations of his own earlier tunes. There’s also a closer of the Rolling Stones’ “Ruby Tuesday,” a version produced by Alex Chilton in 1977. The original mix is now lost, but a charming instrumental rough mix on an old reel-to-reel analog tape (Alex on drums and guitar) was recently discovered, and Chris and Pat Sansone (Wilco, Autumn Defense) were able to replace the missing vocals and (with Don Dixon’s bowed bass and Rachel Kiel’s alto recorder) bring the track to life. “This record was a blast to make,” Chris reports. “I had come back from touring with renewed confidence in my own playing, and realized I’d been relying on some of my friends’ vast chops for so long in the studio that I’d forgotten how much fun it was to groove along on guitar and bass myself.” EXCELLENT!! ... read more » Quantity in Basket: none

High On The Low Brow Price: $15.00 Artist: Datura4 Manufacturer: Alive Records Description: Four years after "Neanderthal Jam", Datura4 are back with their sixth album, "High on the Low Brow", recorded once again in their hometown of Fremantle, Western Australia. Led by Dom Mariani, the band delivers another heady blend of Oz-boogie attitude, blues-rock, and heavy psychedelia held together by sharp songwriting, big hooks, and the kind of loose, live energy that's become their calling card. Datura4's records have earned cult status for their authentic revival of a distinctly Aussie brand of heavy music, driven by Mariani's unmistakable guitar tone and knack for melody. “’High On The Low Brow’ is a new time capsule blending boogie-blues and retro-psychedelia. This is exemplified by the opening track, "Under A Rock," which evokes prime-era Canned Heat as covered by Status Quo - complete with full-on slide guitar. Bob Patient’s keyboards add a proto-progressive touch to the heavy six-string work of bandleader Mariani and Jozef Grech - evident on ‘Another Fool’s Gate,’ which captures the guitar-organ balance that defined the sound of bands like Deep Purple, Uriah Heep, and Ten Years After over half a century ago - while airier tracks like ‘Getting Through’ and ‘Mind Sailor’ lean more towards the legacy of Wishbone Ash and Spooky Tooth. Kicking off with a Delta country-slide vibe, “Dirty Laundry” shifts into a heavy blues riff - complete with ‘Come Together’-style backing vocals, guitar duels, and a psychedelic piano jam - before wrapping up with a Traffic-esque sax solo; meanwhile, ‘On The Rebound’ boldly channels the spirit of Gun’s ‘Race With The Devil,’ and ‘Double Dealer’ echoes the sound of Free in the era of the late Paul Kossoff. Straddling the line between glam rock and Randy California, the thunderous ‘Bugs’ kicks into gear with a drum pattern that is as primal as it is hypnotic, before ‘See My Way’ brings things to a close, evoking the sun-drenched early days of Steely Dan. Across the nine tracks that are as intricate as they are expansive, Datura4 persists in navigating musical currents considered obsolete since the mid-seventies. It is a treat for those nostalgic for that era, and perhaps - after all - for their grandchildren, too.” - ParisMove GREAT!! ... read more » Quantity in Basket: none

Exposure Price: $12.00 Artist: David Brookings and the Average Lookings Manufacturer: Byar Records Description: “Exposure” is David’s 10th album overall, and the third David Brookings and the Average Lookings release. The record was recorded as he was moving from LA to Nashville in the spring of 2025 and finished between seasons in LA, Nashville and Richmond, VA. “The quartet aren't afraid to veer off into other directions and the difference to Brooking's solo recordings is that the arrangements are even more filled out. Big riffs, killer choruses and some really crunchy solos light up this album. The diversions are really fascinating. ‘Jose’, for instance, starts all Spaghetti Western and then heads into melodic Folk Rock. Yet, ‘My Last Little Shred Of Youth’ is a mix of early 60’s pop, Everlys even and country with its barrel piano in the background. The title track is a much longer affair, almost 6 minutes, a meandering joy and as the title suggests a hit out at the constant requests for artists to play for free. Brookings vocal has a great drawl and the extended instrumental outro works really well. ‘The Van Gogh Plan’ even gets very west country rock. But it’s the power pop that resonates most. The likes of ‘Encore’, ‘Coldwater Canyon’ and the superb ‘Time Bomb’ master the genre. Songs and choruses that live in the memory. Brookings has a lyrical depth that transcends the ‘I lost my girl, I love you, yes I do’ mediocrity that the genre can be accused of at times. At times, there is a Nick Piunti feel and both have stayed with us over our past decade, when many haven't.” - IDontHearASingle “Like other songs in Brookings past,’Exposure’ has an element of humor. In this case it’s about the promises of fame, and the words of a fast talking producer selling the band. Other songs have a great pop bounce like ‘It’s Giving Cringe’ and ‘Where Did I Go Right.’ We also get a retro-styled ballad about ‘My Last Little Shred of Youth,’ about a feeling we all get growing old. Highlights include the heartbreak of ‘She Dissed You Too’ and a biographical ballad about his wife ‘Shelby.’ Overall, a great sounding album with plenty of worthy gems that comes - Highly Recommended.” - Powerpopaholic GREAT!! ... read more » Quantity in Basket: none

Skeletons Price: $14.00 Artist: David Woodard Manufacturer: Kool Kat Musik Description: NEW RELEASE ON THE KOOL KAT LABEL - AVAILABLE JUNE 26! Last Christmas, Apple Music swallowed David Woodard's 2025 release “Everything Belongs” album whole. David explains “I got a notification that Apple Music was pulling my ‘Everything Belongs’ from its rotation because its algorithm detected suspicious activity. I was accused of purchasing BOTs for plays. I have NEVER done anything like that. The whole thing took about 6 weeks to resolve. It was a maddening and humiliating and unfair. When it looked like ‘Everything Belongs’ would never be restored, I decided to flip the script as quickly as possible by writing and recording a new album.” “Skeletons” is his rawest, most honest record yet. Recorded with fewer takes, fewer effects, and no patience for polish that wasn't earned, “Skeletons” sounds like a band in the room with you. The guitars are immediate and alive. The vocals are unguarded. Where his previous records were constructed, this one was lived in. Thematically, “Skeletons” trades political fire for something more personal and more permanent. Relationships, patterns, the things we carry and can't put down, and the quiet reckoning of midlife. David describes his songwriting as full of echoes of a life rather than chapters from one. A Nashville-based indie rocker who released his solo debut on his 50th birthday, Woodard has spent seven years building a global fanbase one hook at a time. “Skeletons” (his fifth record) finds him leaning further into the punk pop territory he discovered through an obsessive deep dive into the Descendents, a band he somehow missed the first time around. He calls it living backwards creatively. Listeners might call it arriving exactly on time. Think Descendents and Blink-182 with the songwriting instincts of Fountains of Wayne and the Beatles hovering nearby. Think "productively maladapted.” The record is equal parts snarl and melody, fury and grace. It is the sound of someone who has been knocked down, fought back, and comes out swinging. His discography has earned praise from power pop tastemakers around the world including: "Ear-candy power pop, a raw punk mentality, glistening jangle goodness, and a youthful garage rock sensibility." - Aldora Britain Records "Solid melodies and tight energetic performances." - Jersey Beat "Maintains his unerring power pop chops… a high degree of lyrical artistry." - Poprock Record GREAT!! ... read more » Quantity in Basket: none

Dead Star Boys Price: $17.00 Artist: Dead Star Boys Manufacturer: self-released Description: LIMITED STOCK! Dead Star Boys are a Medway, UK band, always compared to The Buzzcocks live, but equally inspired by The Vapors, The Flys, Bowie, 60ft Dolls, The Headboys, Generation X, Mott The Hoople, The Chords, Kinky Machine, The Tourists and tons more great British bands that either hit or missed. “This delivers all the vintage punk rock and new wave grit that you can possibly want from either of the genres. These guys have nailed down the aesthetic of the bands they grew up absolutely loving, and the whole album is almost like an ode or a love letter to those kinds of bands. The record wastes zero time getting to the point with its first track ‘Is Remote Control Really Breaking Down?’, which is a song that showcases not only their love and attention for punk rock but how they pay attention to the tones of their instruments and the way the whole thing is recorded. So you get that brilliant, classic, vintage, punk aesthetic along with the songwriting. This is where it blows my mind. Right off the bat, you can tell there was a lot of attention to detail in the tone of the album. You can't have this new wave punk rock record that has classic songwriting and attitude, swagger, and approach with some kind of overly polished and fat tone. Everything you really would expect from a vintage punk or new wave record, blending elements of that garage pop, garage-punk, and rock, and just letting everything rip so that they're thrashing out, but it's not over the top. This is exactly how I can tell these guys aimed for and accomplished that classic '70s and '80s punk rock aesthetic and tonality. The record pretty much portrays this live performance style energy. It's almost as if they tracked a lot of these live on the floor, and everyone involved was just feeding off of each other the entire time.”- The Sounds Won't Stop Includes a cover of The Psychedelic Furs’ ”Heaven”! EXCELLENT!! ... read more » Quantity in Basket: none

Rats Price: $17.00 Artist: Dead Star Boys Manufacturer: self-released Description: “Rats” was recorded in the same bomb proof shelter, on the outskirts of Chatham as the band’s self-titled debut. No difficult second album issues, the songs were easier to get down than those on the first album. Being underground suits the Dead Star Boys, it helps them focus, helps them….. “get back in your hole you dirty bastard”…… bloody rats! Somehow the songs have changed since their debut, becoming a bit more “radio friendly” (that’s the radio in 1979) but they have kept that unpolished edge. The songs have all come straight from demo, so nothing has really be worked out 100%. Basically, they end up with more songs than we need, in various states of repair. They’d like to think that we are similar to the British 1970’s bands that influence us (Generation X, The Flys, The Vapors et al), in the way that they try to create noise and energy but retain pop melody. “Power chords and psychotic reactions: there’s a nervous tension at the heart of the Medway, and Dead Star Boys have got it perfectly sussed. ‘Rats’ works like a distillation of our disturbed times. Frontman Robert Plummer thrives on the pressure. It’s been just a little over eight months since their debut, but the band have noticeably upped their game in the meantime. Lyrically, these 11 songs of doom and dystopia almost qualify as a concept album. Musically, the instrumentation is as tight as a coiled spring: the sound is still late 70’s mod-punk, but with a new pressure-cooker intensity that enhances the band’s claustrophobic worldview. Includes a cover of The Buggles’ ‘Plastic Age’!” - LouderThanWar EXCELLENT!! ... read more » Quantity in Basket: none